STRIPPED FOR PARTS: AMERICAN JOURNALISM ON THE BRINK (B) - There are multiple reasons for the decline of journalism in America -- specifically the ongoing demise of the metro daily newspaper -- but one recent bomb in the beehive involves hedge funds and the campaign to pillage individual newsrooms into extinction. This still-unreleased polemic focuses on one in particular -- Alden Global Capital, which has done its best in the past decade to destroy the Denver Post, along with the Chicago Tribune and its sister publications around the country.
The Media and Democracy Project -- and the director of the film, Rick Goldsmith, who was a producer on a documentary about Daniel Ellsberg and the Pentagon Papers -- gather veteran journalists in the trenches to chronicle their struggles and peel back some layers of mystery that surround the rapacious men behind Alden Global. The film could have gotten distracted -- by other bugaboos, like general corporate greed and the decision early on to give content away free on the burgeoning internet -- but Goldsmith is like a dog with a bone as he digs into the devious ways of Alden Global, led by investigative reporter Julie Reynolds, whose dogged investigative work has exposed the hedge funders to be the vultures that they are.
Goldsmith bookends his piece with Greg Moore, the editor who refused to gut the Denver Post. He leans on Dave Krieger, who rebelled at the Boulder Daily Camera, whose Ted Talk is quoted from here. He visits with the staff of veteran-staffed online upstarts like the Colorado Sun and the Baltimore Banner. He profiles the next generation of journalists still giving mainstream publications a fighting chance (and dodging ubiquitous layoffs), like Elizabeth Hernandez at the Post.
Some of this can get quite dewy-eyed and nostalgic (we get the requisite reference to the lovable cliche, "If your mother says she loves you, check it out"), and a younger generation might wonder what the fuss is about. But this is a measured but urgent warning that journalism as we used to know it may be gone forever.
STAND BY FOR FAILURE (Incomplete) - We made it through two-thirds of this 90-minute documentary chronicling the anti-capitalist experimental provocateurs from the Bay Area, who peaked in notoriety in the '90s when they named an album "U2" in huge type on the cover and got sued by Bono and the boys.
Negativland was known for its cutting-edge use of electronics, noise experiments, and subterfuge of the copyright system by pirating material from Disney and others. The problem with this documentary is that it often replicates the grating nature of the group's work -- and thus becomes difficult to watch. Most grating is David Wills, whom we see throughout his career and up to the present day, and his various noise wonkery. His presence can be a serious test of patience.
This is the work of Ryan Worsley, who previously collaborated with Negativland member Don Joyce, the alternative DJ at KPFA radio out of Berkeley, Calif., who conspired with the other members to pioneer "culture jamming" in the 1980s. The film is essentially a chronological home movie highlighting the greatest hits -- from the U2 incident to the audacious co-opting of the Little Mermaid and the airing of Casey Kasem's foul-mouthed outtakes.
Besides these familiar touchstones, we are treated to obscure archival material from a bunch of nerds who rarely passed up an opportunity to videotape their most mundane antics. An hour certainly was enough. It is unfortunate that Worsley felt the need to mirror the group's avant-garde style; there is no shame in using a conventional narrative structure to convince an audience to appreciate this unconventional gang.