Here are the latest titles I've flagged among the films released in New York or nationwide or on video in the past few weeks:
- "Side Effects" from Steven Soderbergh
- "Upstream Color," Shane Carruth's long-awaited follow-up to the cult classic "Primer"
- "Luv," a father-son story
- "Caesar Must Die," with a cast of prisoners
- "Computer Chess" from Andrew Bujalski ("Mutual Appreciation")
- "Crystal Fairy" starring Michael Cera
- "I Used to Be Darker" by Matthew Porterfield (I disliked "Hamilton" and still haven't seen his "Putty Hill")
- "Koch"
- "Lore," which I missed at the Santa Fe Film Festival in December
- Raoul Ruiz's "Night Across the Street," ditto
- "Once Every Day," an experimental narrative
- "Supporting Characters" starring Alex Karpovsky
- "The Playroom," a '70s period piece
And here are the 7 titles at the top of my queue:
- Paul Williams: Still Alive
- 28 Hotel Rooms
- Nobody Walks
- The Wise Kids
- Diana Vreeland: The Eye Has to Travel
- Little White Lies
- The Perks of Being a Wallflower
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